Thievery Corporation

Twenty-five years into their genre-defying electronic music career, Thievery Corporation's
founding principles of D.I.Y. and inclusion have become key themes in mainstream social
conversation. After a dozen highly acclaimed full-length albums, remix LPs, concert recordings,
and over two decades of incendiary live performances that have thrilled audiences worldwide,
Thievery Corporation's music and message is more relevant and important now than ever.
That lack of filter enabled Garza and Hilton to mine their musical inspirations and create one of
the most unique bodies of work in electronic music, respectfully incorporating tastes of
international cultural styles, without ever falling into the trap of cultural appropriation. "We
always wondered: with so much incredible music in the world, why would anyone limit
themselves to one genre? Well, we found out — it's far easier to stay in one lane than to genre
hop!" laughs Hilton. Garza elaborates: "When we started, we were influenced by music from all
over the world, flipping through bins in second hand record stores for LP's from Brazil, India,
Iran, Jamaica, jazz records…..we wanted to make music where you didn't know whether it was
recorded today or a decade ago." Thievery Corporation's music has always looked toward the
future while paying homage to the past, starting with their groundbreaking debut LP, 1996's
"Sounds From The Thievery Hi-Fi," which both introduced the world to Garza and Hilton as
producers and set their course as pioneers of song-based electronic music with wildly diverse
vocalists.
The band's legendary D.C. headquarters, the Eighteenth Street Lounge, became an epicenter
for a diverse group of people and staff from all over the world, which in turn had a profound
influence on their musical output. "D.C. was very cosmopolitan, lots of places to see
international live music and jazz," says Garza. "We'd run into people from all over the world and
invite them to play with us — so Thievery became an extension of that, both on our records and
in our live performances." Indeed, Hilton and Garza's "Outernational" approach created a world
reflected by the artist's ideals of diversity and acceptance. "25 years after we started, it seems
like the world is catching up," Garza opines. "Social consciousness is more mainstream,
awareness of the importance of inclusivity…it's so encouraging to see so many people working
towards these goals in America." Hilton agrees. "Thievery is a reflection of who we are, it
evolved from our musical tastes. Artists who were for the people, like The Clash, Fela Kuti,
Manu Chao were so important to us, and engaging in social ideas has always been a part of
what we've tried to do." People don't refer to Thievery Corporation as "World Music," but it's
safe to say that their music and ethos is global in its scope and ahead of its time at every turn.
In a live setting, Thievery Corporation avoids any electronic dance music tropes. Yes, you'll
dance, sweat and put your hands in the air….but their concerts are true performances, with a
killer band of players and an array of vocalists from diverse global cultures. No two shows feel
the same. "Our shows are VERY live, lots of energy, the com-bination of multiple instruments
and singers that take you on a musical journey," says Garza. "We have a sitar player, songs are
in different languages — it's a multicultural experience, people connect to the band and to each
other, it's beautiful." With a world cautiously beginning to emerge from isolation and towards
communal events, Garza is eager to return Thievery Corporation to live performance. "I feel like
people have been waiting to celebrate together after being forced apart for too long. We're all
craving that."
Eric Hilton's presence at Thievery gigs, however, has become an increasingly rare event. "I
never really embraced touring; some of the world tours were interesting, seeing new places and
cultures," he says. "For me, touring was tourism. The creative process of making music is more
my thing." And Thievery Corporation have brought the sounds of the world to listeners
throughout each of their albums. "There are so many highlights for me. 2014's Saudade is my
favorite record that we've done, a real creative stretch for us. Quiet music is hard to make!
Symphonik also. To hear our music done with an orchestra was incredible." Hilton concedes
that over time live performance influenced the studio records. "After Cosmic Game (2011), we
orchestrated jam sessions and built the records from those. For Temple of I and I (2014), we
went to Jamaica to jam and record, which gave that record a different feel and authenticity."
Looking back over their career, Rob Garza and Eric Hilton acknowledge that what drives each
of them may be different, but the mashup of personalities, sounds, cultures and experiences
birthed something wholly unique. "We love all kinds of music, which is why Thievery Corporation
sounds the way it does," the founding partners agree. "We couldn't possibly incorporate all our
tastes into the music, but we do it more than most." By not following trends or the whims of
major labels, and embracing the cultural diversities that make the world such a wondrous place,
Thievery Corporation has created a legacy that runs deep and continues to expand.
"Over 25 years, we've left nothing undone. We far exceeded what we thought we would do,"
Hilton and Garza agree. And Thievery Corporation's music will continue on to reverberate and
influence the next generation of listeners with an ear toward a global musical experience.